
Alicia Díaz joined the Department of Theatre and Dance at The University of Richmond in 2011. She teaches contemporary dance, improvisation, and choreography. Her decolonizing and inclusive pedagogical approaches are rooted in her commitment to activate dance as a tool for social change and the premise that the body is a site of knowledge that informs how we act in the world. Alicia is co-director of Agua Dulce Dance Theater, creating works for concert dance, museums, and site-specific locations. As a Puerto Rican contemporary dance artist in the diaspora Alicia’s choreographic work speaks to issues of memory and identity, migration, colonialism, and the legacy of slavery. Alicia has performed professionally with Complexions Contemporary Ballet, Andanza: Puerto Rican Contemporary Dance Company, Donald Byrd/The Group, Joseph Holmes Chicago Dance Theatre, Maida Withers Dance Construction Company, and numerous independent choreographers. Her own choreographic work has been presented in the United States, Spain, Puerto Rico, Cuba, Argentina, and Mexico. Alicia holds an M.F.A. in Dance from The George Washington University and she held teaching positions at Kent State University and Hope College prior to joining UR.
We Must Say Her Name: Activating Dance as a Tool for Social Change. 6PIC Blackademic Panel and Excellence Mixer. Hosted by Initiatives of Change, USA, I AM MY LIFE, and 6PIC Innovation Center. 2019.
Opening remarks: Pepatián Documentary, "Out of La Negrura/Out of Blackness." Center for the Study of Ethnicity and Race, Columbia University. 2018.
Improvisation and Diasporic Memory: A Performance Lecture. Cabral Center, John D. O’Bryant African American Institute, Northeastern University, Boston, MA. March 29, 2018.
Diasporic Body Grammar: An Encounter of Movement and Words. Wilson College’s Black Box Theater, Princeton University, Princeton, NJ. December 2, 2016.
Improvising Identity: Bomba as a Point of Reference Between a Contemporary Dance Artist and a Percussionist. Center for Puerto Rican Studies, Hunter College, CUNY. May 14, 2016.
How...Do You Dance in Response to Works of Art? The Virginia Museum of Fine Arts (VMFA). May 15, 2015.
Landscapes of Dance Making: An Embodied Practice. The Joel and Lila Harnett Museum of Art, The University of Richmond. February 25, 2015.
Capoeira: Afro-Brazilian Martial Art Hidden in Dance. Boatwright Library, The University of Richmond. November 9, 2011.
Latino Dance Forms in The United States. The Encyclopedia of Latinos in the United States. Oxford University Press (2005)
Featured in: Authentic Movement: Find Yourself in the Steps, by Shayna Samuels, Dance Magazine (July 2004).
Bomba, Capoeira, B-boying: Embodies forms of resistance in the African Diaspora, Washington Square News, (March 2, 2004).
"RICHMOND DANCE FESTIVAL 2018, Week Two: A Little Night Dancing" Julinda Lewis, RVArt Review.
Fri., May. 4, 2018
"All kinds of duets featured in first weekend of Harvest Dance Fest" by Lauren Warnecke. Chicago Tribune.
Sat., Sep. 9, 2017
"Alicia Díaz: la improvisación como acto de resistencia política" by Susan Homar, 80 Grados.
Sat., Nov. 18, 2017
"Escuchar las Voces del Mar" by Alejandra Rosa, Diálogo UPR.
Sun., Apr. 30, 2017
"Midwest Regional Alternative Dance Festival, 10-12 March 2017 at the Epic Center, Kalamazoo" by Irene Hsiao, Dance Blog.
Tue., Mar. 14, 2017
"Moving Caribbean in New York and Elsewhere with Alicia Diaz: From San Juan, Puerto Rico to Agua Dulce Dance Theater" by Christine Jowers, Dance Enthusiast.
Mon., Nov. 14, 2016
"Review: Puerto Rican Soundscapes" by Oscar Montero, Princeton Comment.
Tue., May. 17, 2016
"Dance review: Richmond Dance Festiva" by Julinda Lewis, Richmond Dance Dispatch.
Sat., Apr. 23, 2016
"Agua Dulce Dance Theater¿s 'Deep Listening' Maps Puerto Rican History @ The Pregones Theater" by Angela Mariana Schopke, Culturebot.
Tue., Oct. 13, 2015
"Nikolais's Century" by Gus Solomons, Solomons Says.
Mon., Dec. 6, 2010
"New works at UR captivate the audience" by Gene Harris, Times Dispatch.
Sun., Oct. 27, 2013
"Authentic movement: find yourself in the steps" by Shayna Samuels, Dance Magazine.
Thu., Jul. 1, 2004